Journal of Lesbian Studies

Few events evoke a divisive response amongst lesbians like the mentioning of the Michigan Womyn's Music Festival. Autoethnographies, interviews, podcasts, and books - just to name a few - continue to be crafted even after the forty-year festival's end. Unlike previous publications, this article approaches the festival using archival materials housed at Michigan State University donated by producer, Lisa Vogel, to unpack the signaling rhetoric of womyn-born-womyn (WBW). I center the experience Nancy Burkholder, a transsexual woman expelled from the festival, to navigate, as Nancy tried to navigate, the WBW "policy...

Recent far-right and religious fundamentalist coalitions in Europe and the U.S. seek populist support through "anti-gender" rhetoric. These coalitions are in alignment with the manosphere in endorsement of biological essentialism and antifeminist, anti-LGBTQ stances. Based upon an examination of the data gathered for projects examining two manosphere communities (Red Pill and Incel), a clear picture emerges wherein they casually disparage lesbians and conflate lesbians with feminists, unearthing 1970s and 1980s political lesbian writings and discussing them out of context...

Female homoeroticism in early imperial China has received minimal scholarly attention. This article purposes to investigate lesbianism in the Western Han dynasty, taking into consideration both the literary and archaeological material. I first offer a succinct rundown of the ancient terminology of male homosexuality, principally in an effort to underline the classical Chinese language's absence of a precise vocabulary to describe lesbian attachments. Next, I turn to the transmitted textual sources, analysing the two extant records of love between women in order to gauge something of the nature and permissibility of female homoerotic relationships...

The process of seeking help for violence in lesbian couples is complex due to the variety of factors and actors that can be involved. It is a process in which the women may or may not take action to ask for some kind of support, depending on the stage at which they find themselves. However, even though women may realise that they are in a situation of mistreatment or abuse in their relationship with their partner or ex-partner, there may be barriers that hinder them from seeking help. This paper presents a systematic review of the barriers that lesbian women encounter in seeking help or accessing support systems when they are victims of intimate partner violence...

Women of the early baby boom years in the U.S. came out into an environment in which same-sex desire was stigmatized and criminalized. For working-class lesbians, the bar scene provided an environment in which women could find companionship and a way to live a life decoupled from traditional heterosexual roles. For middle class women, bar life was fraught with legal and social risk, and some-mostly white-women worked to establish a more "socially acceptable" communal life through organizations such as the Daughters of Bilitis...

The contemporary preoccupation with lesbian's potential obsolescence relies on implicit assumptions about the (ir)relevance of lesbian feminism to younger generations. In this article, we use the metaphor of "generation loss" to conceptualize the Gordian knot of affective and ideological ties that lie beneath this preoccupation. Contrary to the narrative of generation loss, we show how young people have begun to take up and share lesbian feminist concepts on social media platforms like TikTok. They do so in the name of resituating lesbian as a political project rather than an exclusionary demographic category...

The fearless ancient Amazons have been seen as forebears and prototypes by lesbians, feminists, and transgender men. In this introduction, I will explore why the Greek legends of the Amazons lend themselves to such interpretation. Ancient Greek literature details how the Amazons challenged patriarchy, lived without men, and defeated their male enemies, thus setting a precedent that would later be emulated by feminists and lesbians. Though the Amazons are clearly designated as women they are also identified with men in ancient Greek lore; in ancient Greek vase painting, they wear masculine outfits and engage in masculine habits, including fighting and hunting...

In Cassandra: A Novel and Four Essays (1984), Wolf retells the Trojan War story from the perspective of the seer Cassandra, taking the Trojan War as a parallel to issues of her day. She uses the Amazons as important secondary characters, representing them as both woman-loving women and warriors. Wolf believes their valor in battle is only a version of men's militarism and thus provides no solution to the problem of war, her primary concern.

This article describes my recent carved wood sculptures of warrior women as a response to and reimagination of historical and mythological accounts of Amazons. I emphasize aspects of queerness and gender non-conformity in the figurative sculptures through iconographical details. This body of work is grounded in readings of classical mythology and popular culture, as well as reference to historical Amazons and women warriors in African and Indian cultures.

This article offers a critical reflection on my creative engagement with the figure of the Amazon in the quilted artworks for my exhibition Archives and Amazons: quilting the lesbian archive which took place at HOME, Manchester in 2021. This exhibition was created in response to archival research at the only accredited museum in the UK dedicated to women, Glasgow Women's Library (GWL), which holds the remnants of the now disbanded Lesbian Archive and Information Centre (LAIC) (1984-1995). I engage specifically with two representations of Amazons, from two very disparate and politically opposed lesbian publications: firstly the illustrated cover of the LAIC newsletter, and a photographic series by the artist Tessa Boffin (1960-1993)...

This essay situates Kathy Acker's work in the feminist sex wars debate of the 1980s. I suggest that the critique of Acker's work as a "nihilist version of the personal is political" is not ungrounded but might more usefully be understood as a "sex negativity" that emerges from specific feminist avant-garde literary devices. I discuss Acker's early texts, "Politics" (1972) and "Stripper Disintegration" (1973) to show how sexuality defines Acker's esthetic and political project. I consider the (negative) feminist reception of Acker's work, lay out how Acker was involved in the pornography debate, and I bring Acker's work into conversation with Andrea Dworkin's thought...

In 2011, Jair Bolsonaro initiated a fight against the federal program proposal School without Homophobia (2009), which aimed to educate children, school staff, and parents on the respect to sexual diversity and prevention of violence against LGBTQIA + students. Bolsonaro's Gay Kit unleashed an anti-gender campaign in Brazil. The fight against "gender ideology" that follows Jair Bolsonaro initial campaign indicates a turn in the articulation and the discourse of conservative and right-wing actors...

Using an autobiographical lens through 40 years of teaching, this brief reflection affirms an explicitly lesbian pedagogy as radical and transgressive. This is because it is woman-centered and woman-loving in a dominant culture that is pervasively male-centered and misogynist. This pedagogical practice is also antiracist, using a feminist intersectional model. While centering women it is a pedagogy that excludes no one from its intellectual and emotional embrace.

In this article, Amazon imagery serves as a case study for the complicated relationship of lesbian separatist movements of the 1970s and the classical Greek tradition. I consider how the use of mythological figures allowed lesbian feminists to rewrite and subvert dominant patriarchal narratives in ways that furthered their revolutionary projects. I argue that the nature of mythology is fundamentally fluid, collaborative, and open to queer reinterpretations and appropriations in ways that are rich with symbolic potential...

This article analyzes the various activities, problem frameworks, and identity strategies around which feminist, lesbian, and trans-solidarity in the Polish-German collective Girlz Get United (GGU) were built. Focusing on oral history interviews with Suzi Andreis, a member and co-organizer of the GGU meetings, this study examined the transnational and intersectional collectivity of the group as a form of lesbian solidarity. Following Emma Goldman and bell hooks, it attempted to consider how the collective, active in the early 2000s, constructed solidarity by being together during integration meetings, various workshops, and sports encounters...

Drawing on queer of color critique, this paper uses mixed methods including participant observation, interviews, visual and textual analysis, and photovoice to interrogate sex workers' queer creative practices. Building upon the larger oeuvre of sex working artists, contemporary sex working artists in Los Angeles utilizes queer creativity to thwart hegemonic readings of sex work. Performances at two activist fundraisers drew on the themes and esthetics of sex work to counter mainstream narratives about sex work and workers, and to interrupt their objectification...

Despite the modern association of ancient Amazons and Diana's huntresses with lesbianism, scholarly accounts of these groups as they appear in ancient Greek and Roman literature have rarely adverted to any hints of homoeroticism. This article re-examines several narratives concerning Amazons and huntresses in Latin literature (including Camilla in Vergil's Aeneid and Phaedra in Seneca's eponymous tragedy) from the perspective of queer kinship and female homosociality, demonstrating the ways in which these characters subvert traditional norms of kinship and femininity, replacing patriarchal control with female sodality, often imaged as a "sister" relationship...

No abstract text is available yet for this article.

This article argues that the concept of "gender ideology" produces and reproduces reactionary subjectivities using different media (videos, texts, memes, images, etc.), diverse platforms (Facebook, WhatsApp, YouTube, TikTok, etc.), and performative actions that form a decentralized propaganda machine that propagates, mobilizes, agitates, and organizes reactionary bases. Using close reading as method of inquiry, I analyze a vast archive of images, videos, and documents from the Spanish organization Hazte Oír/CitizenGo, focusing on the # FreeSpeechBus campaign in which buses with transphobic (2017) and antifeminist (2019) slogans toured different cities across Spain and around the world...

In 1853, Rosa Bonheur first exhibited what would become her most widely celebrated work: The Horse Fair . Although the work's modern setting and animal-focused subject matter do not obviously characterize it as an instance of classical reception, the artist claimed that it was inspired by the Parthenon frieze. A significant amount of feminist and queer scholarship has been dedicated to Rosa Bonheur's life, career, and art practices, all of which reveal the complex ways in which the artist negotiated the gender norms of 19th-century France...